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Never thoughtful. Always bitter.

Mostly reblogs, but sometimes I post older things found on my hard drive. So if you want credit for a post, please fuck off and die because I don't care about people who get mad over pictures on the internet.
Aug 31 '14

crapaccino:

squldward:

hey guys its fall u know what that means

only gotta shave when ur gonna get laid

so

never

(Source: spicy-vagina-tacos)

10,911 notes View comments (via entirelyunexpected & spicy-vagina-tacos)

Aug 31 '14

supermattural:

diarrheasmoothie:

me praying and thanking the lord for this wonderful meal

image

did you just eat your girl out to hey arnold 

(Source: dildonts)

118,632 notes View comments (via entirelyunexpected & dildonts)

Aug 31 '14

(Source: ruinedchildhood)

17,141 notes View comments (via mrsbobbelcher & ruinedchildhood)

Aug 31 '14

angelclark:

99-Year-Old Lady Sews A Dress A Day For Children In Need 

Lillian Weber, a 99-year-old good Samaritan from Iowa, has spent the last few years sewing a dress a day for the Little Dresses For Africa charity, a Christian organization that distributes dresses to children in need in Africa and elsewhere.

Weber’s goal is to make 1,000 dresses by the time she turns 100 on May 6th. So far, she’s made more than 840. Though she says she could make two a day, she only makes one – but each single dress she makes per day is personalized with careful stitchwork. She hopes that each little girl who receives her dress can take pride in her new garment.

225,844 notes View comments (via mrsbobbelcher & angelclark)

Aug 31 '14

gothhabibti:

joydivision84:

gothhabibti:

Protect young girls until the end of time.

Protect young boys and girls until the end of time.

Fixed that for you.

Listen up white boy, YOUNG GIRLS need to be protected because they are constantly at risk of being preyed on/taken advantage of. Often time people like you discredit and blame them for being victimized. So keep listening to Love Will Tear us Apart and get the fuck off my post.

629 notes View comments (via bloodpactsailorscout & gothhabibti)

Aug 31 '14

shitbandkidssay:

Do you ever sight read something and think “I have no idea how my fingers just did that but I like it.”

And then you try it again and….

image

725 notes View comments (via qweerprincess & shitbandkidssay)

Aug 31 '14
isahbellah:


twinarmaget-it-on:

ybfan666:

magicbunni:

pwennies:

whatisagorman:

for those not familiar with norse mythology, our bud loki once turned into a mare and got sexed by a giant stallion named svathilfari and produced sleipnir, an 8-legged horse

he also did it with a giant and she had three children- A giant fucking snake, A giant fucking dog, and an zombie chick

He’s very open-minded.

Or very open-legged.

wh


VERY OPEN-LEGGED.

isahbellah:

twinarmaget-it-on:

ybfan666:

magicbunni:

pwennies:

whatisagorman:

for those not familiar with norse mythology, our bud loki once turned into a mare and got sexed by a giant stallion named svathilfari and produced sleipnir, an 8-legged horse

he also did it with a giant and she had three children- A giant fucking snake, A giant fucking dog, and an zombie chick

He’s very open-minded.

Or very open-legged.

wh

VERY OPEN-LEGGED.

114,621 notes View comments (via qweerprincess & kris-and-jen)

Aug 31 '14

danthemedicman:

viele-katzen:

marina-and-the-dragons:

spread-hope-inspire:

Tribute to Steve Irwin, a guy who genuinely loved nature and animals.

This man was beyond real

"Crocodiles are easy. They try to kill and eat you. People are harder. Sometimes they pretend to be your friend first."
- Steve Irwin (r.i.p.)

he’s still my hero<3

288,878 notes View comments (via qweerprincess & spread-hope-inspire)

Aug 31 '14
mralwaysinmotion:

lizthelazylizard:

saandusti:

blackinasia:

justfalana:
British colonialism in Africa in a nutshell.

British colonialism everywhere.

European Colonialism in general 

One of the things I mentally struggle with as a Black Christian…

mralwaysinmotion:

lizthelazylizard:

saandusti:

blackinasia:

justfalana:

British colonialism in Africa in a nutshell.

British colonialism everywhere.

European Colonialism in general 

One of the things I mentally struggle with as a Black Christian…

28,806 notes View comments (via qweerprincess & heathantonio-deactivated2012091)

Aug 31 '14

chillybucky:

If you defend a guy for his nudes getting leaked (“aw it’s okay we still love you1!1!1!!!”) but then shame a girl for her nudes getting leaked (“what a slut she shouldn’t have taken them in the first place!!1!1!!!”) I hope you step on many lego pieces at once.

34,765 notes View comments (via mykittenpurrrrrssss & chillybucky)

Aug 31 '14
atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.
With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.
It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&amp;b? Miley is soon on her way to become “the queen of twerking”.
Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.
This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

atane:

zuky:

nezua:

Flappers shaming Miley Cyrus.

Oddly enough we could say that Miley Cyrus is following solidly in the appropriative footsteps of white flappers, who in the 1920s grabbed national attention and stirred alarmism concerning the end of civilization because they partied to Black music, wore their hair short like Josephine Baker (who fled US racism to become a superstar in Europe), and imitated dance moves from Baker and other Black dancers. The famously flapperesque Charleston was lifted from the African American dance called the Juba, which had West African roots and was danced in secret in the South and the Caribbean. The dance sped up when it reached Harlem, giving birth to both tap dancing and the Broadway hit called The Charleston, which spread like wildfire from there. White people didn’t sway their hips this scandalously prior to that era, making flappers roughly equivalent to white twerkers of the Jazz Age.

This is 100% true. The period from the jazz age to the beat generation, comparatively speaking was the height of cultural appropriation of black art. The beat generation used lingo popularized by Lester Young. They then appropriated the style, dress, and lingo of bebop musicians like Charlie Parker and Dizzy Gillespie, down to the beret, glasses, and soul patch. Bebop musicians, Parker and Gillespie in particular, were the blueprint of their image. Norman Mailer wrote an essay titled “The White Negro" that tackles this phenomenon. I’m no fan of Norman Mailer, but at least he admitted that white people were stealing from blacks. He wrote it in 1957.

With regards to the flappers, apart from Josephine Baker, they also liberally borrowed from black vaudeville performers. They would copy dance moves from black performers, and then introduce it as their own. Many dances attributed to whites are from black vaudeville performers who were forced to perform on the chitlin’ circuit because of segregation and Jim Crow laws.

It really is astonishing how nothing has changed in this regard. For example, people to this day still call Benny Goodman “the king of swing”, when what he did was procure charts for arrangements from Fletcher Henderson, a black man. Goodman’s biggest hits were from Henderson. It’s amazing how much credit Goodman gets for another man’s work. Of course Goodman became “the king of swing”, while Fletcher Henderson remains a footnote in history. How a white man becomes the king of something innovated by blacks is astounding. Benny Goodman is called “the king of swing”. Paul Whiteman is called “the king of jazz”. Elvis Presley is called “the king of rock n roll”. Is Eminem the king of rap? What about Justin Timberlake and Robin Thicke with r&b? Miley is soon on her way to become “the queen of twerking”.

Anyway, apart from getting his charts from Fletcher Henderson, Benny Goodman got his ass handed to him by Chick Webb at the Savoy Ballroom when they had a battle of the bands. Goodman is often noted as being one of the few white men in the segregation era to have black men in his band, and the narrative is typically presented as if he did it out of benevolence. He did it because there was no way to get around the fact that swing music was the domain of black folks, and he poached the best black players he could find to bolster his band, and black musicians went with him because as a white man, he was able to pay them more than black bandleaders, and they wouldn’t have to deal with indignity while traveling. Many hotels refused black bands, so they often had to sleep in cars, bus terminals, or crash at the homes of hospitable blacks. A big portion of Duke Ellington’s money went towards renting out train cars and making sure his orchestra had a place to sleep while on the road because hotels often turned them down because they were black. These were issues Goodman wasn’t going to face. Black musicians certainly didn’t go with him because he was the best. Goodman even later hired Henderson to arrange and play in his band. He wasn’t doing it because he loved black people. Black people were the ones creating and innovating. Where else would he get the best charts and arrangements? Now that the smoke has cleared and the dust has settled, Goodman gets all the credit. Funny how that works.

This stuff has been going on for a long time. Miley is the 2013 version. Twerking has been around for a long time, but Miley convulses on national tv and all of a sudden, dictionary definitions of twerking are made. Definitions complete with no mention of black people, like all this happened in a vacuum. It’s history repeating itself over and over again. I see the same thing happening with afrobeat music.

(Source: melanskyyworld)

45,583 notes View comments (via bloodpactsailorscout & melanskyyworld)Tags: like i've been saying the shit people are saying about miley britney and others is the same shit they were saying about madonna cyndi so many others

Aug 31 '14
antoniomadness:

gundamdick:

ALRIGHT LISTEN UP IMMA TELL YOU SOME SERIOUS GENDER MARKETING BULLSHIT THAT WENT DOWN TODAY
Today a woman came in to get her 13 year old son’s black iPhone fixed. This thing was totally fucking busted. She was already kind of being bitchy so I’m just trying to reassure her that everything will be fine and shuffle through the paper work so shes on her way. She leaves, I put her phone away till I have time to fix it.
Well come to find out that we were completely out of black screens until next week’s shipment. So I put on a white screen for now and reassure her that when we do get black screens in that I will call her and we’ll put the new screen on for free. Better to have a temporary mixed match phone then a broken one right?
This woman proceeds to flip her shit. “WE CAME HERE TO GET WHAT WE HAD FIXED!” I calmly explain to her that there is nothing I can do about the color for the time being. The son is totally fine with this and obviously embarrassed by his mother’s outburst. The woman snatches the phone, sneers at it, and then shoves it back into my hands and says “NOW IT LOOKS LIKE A GIRL’S PHONE! I AM NOT GIVING THIS TO MY SON!”
At this moment I turn to her and say. “I don’t undersand? How is it a girl’s phone now?”
"Well it was BLACK and now its WHITE!!" She gestured dramatically at the screen like I couldn’t fucking see it.
"How is white a feminine color?"
She huffs and explains that she refuses to take the phone until the color is changed. The 13 is now rapid fire “its fine its fine” cause he just wants his phone back. But she keeps refusing but I finally tell her again that we will change the phone for free when we get black screens and that shes not allowed to keep it here. The point of the matter is that this woman almost refused to even take back the phone BECAUSE OF ITS COLOR. Mind you its not even anything like pink or purple. ITS. WHITE.
A SUBURBAN WHITE WOMAN TURNED RED IN THE FACE WITH ANGER BEAUSE SHE THOUGHT WHITE WAS TOO GIRLY FOR HER SON.

And the son is more mature than her.

antoniomadness:

gundamdick:

ALRIGHT LISTEN UP IMMA TELL YOU SOME SERIOUS GENDER MARKETING BULLSHIT THAT WENT DOWN TODAY

Today a woman came in to get her 13 year old son’s black iPhone fixed. This thing was totally fucking busted. She was already kind of being bitchy so I’m just trying to reassure her that everything will be fine and shuffle through the paper work so shes on her way. She leaves, I put her phone away till I have time to fix it.

Well come to find out that we were completely out of black screens until next week’s shipment. So I put on a white screen for now and reassure her that when we do get black screens in that I will call her and we’ll put the new screen on for free. Better to have a temporary mixed match phone then a broken one right?

This woman proceeds to flip her shit. “WE CAME HERE TO GET WHAT WE HAD FIXED!” I calmly explain to her that there is nothing I can do about the color for the time being. The son is totally fine with this and obviously embarrassed by his mother’s outburst. The woman snatches the phone, sneers at it, and then shoves it back into my hands and says “NOW IT LOOKS LIKE A GIRL’S PHONE! I AM NOT GIVING THIS TO MY SON!”

At this moment I turn to her and say. “I don’t undersand? How is it a girl’s phone now?”

"Well it was BLACK and now its WHITE!!" She gestured dramatically at the screen like I couldn’t fucking see it.

"How is white a feminine color?"

She huffs and explains that she refuses to take the phone until the color is changed. The 13 is now rapid fire “its fine its fine” cause he just wants his phone back. But she keeps refusing but I finally tell her again that we will change the phone for free when we get black screens and that shes not allowed to keep it here.

The point of the matter is that this woman almost refused to even take back the phone BECAUSE OF ITS COLOR. Mind you its not even anything like pink or purple. ITS. WHITE.

A SUBURBAN WHITE WOMAN TURNED RED IN THE FACE WITH ANGER BEAUSE SHE THOUGHT WHITE WAS TOO GIRLY FOR HER SON.

And the son is more mature than her.

118,462 notes View comments (via qweerprincess & gundamdick)

Aug 31 '14

mountstar:

Types of Matter

75,552 notes View comments (via a-hidden-lemon & mountstar)

Aug 31 '14
I’m an adult, but not like a real adult
— anyone between the ages of 18 and 25 (via prettyboystyles)

353,517 notes View comments (via mrsbobbelcher & prettyboystyles)

Aug 31 '14

(Source: timpile)

112 notes View comments (via mykittenpurrrrrssss & timpile)